June 6, 2011

Mysterious Skin (2004)

Directed by Gregg Araki

It all starts and ends with a little league’s pedophile coach and two kids: Neil and Brian, who unbeknownst to their parents are the victims of a sexual predator. But what is the authentic aftermath of this encounter between the man and the 8-year-old children?The repercussions of sexual abuse will affect greatly the lives of Neil and Brian, but in so many different ways that one could almost wonder if they shared the same experience. As a matter of fact, being sexually abused is such a traumatic event for Brian that he blocks it out of his mind unable to cope with the real, and he then proceeds to fill in the memory gaps with a fantasy of alien abduction. Recurring to such self-defense mechanisms is quite a normal psychological strategy, but it also mingles well with a recurring theme in Araki’s cinematography.

Neil, on the other hand, fills in the gashing void with an idealized image of the pedophile. After all, during an entire summer the two of them spend many nights together. Neil actually functions as an accomplice, helping the coach to lure in unsuspecting boys, thus creating a perverse bond between them. Perhaps one of the greatest accomplishes of the novel is to invert the roles, creating a pedophile that seems to be nicer and more caring than the boys’ parents, while at the same time embedding at least one of the victims with an attitude that one would find difficult to sympathize with. Araki’s film, of course, thrives because of that: the complexity between the characters relationships. This is not, after all, a lesson of morality. Here the coach leaves the town, with an untarnished reputation, and leaves behind Neil, a very obsessed boy who admits later that “it's a huge part of me. No one ever made me feel that way before or since [...] I was his one true love”.

Perversion seems to be the one predominant constant throughout Neil’s life, but as Lacan would define it, a perverse individual is the one who assumes the position of the object-instrument of the "will-to-enjoy" (volonté-de-jouissance), which is not his own will but that of the big Other. In this case, Neil accepts to serve as a garish tool of pleasure for the coach, and years later, as a teenage hustler, he has no quandaries when it is his turn to be the instrument of joy of the other (namely his clients). Emotionally detached from everyone, only a girl, a friend from childhood, remains as his one and true humane anchor. His mother, after all, has always been a carefree woman, constantly hooking up with men, and paying no attention to his son; that’s why when Neil is about to depart to New York, she looks at him and utters “my baby, all grown up”, not as a typical motherly affirmation but rather a discovery: time flew by, and she wasn’t there at all.

Brian’s dreams are a reminder that another boy was with him the night of the alien abduction, consequently the insecure boy starts the search for Neil, and learns of his whereabouts just after Neil has left for the big city. It is then that Neil’s friend, Eric, a very flamboyant gay kid, befriends him. Brian is quite a timid and introversive teenager, perhaps as a result of having a very dominant mother and an absent father (even before he abandons the family, he was only there to state how disappointed he was at his son). Eric describes him as "weirdly asexual" (even without knowing how Brian had violently rejected a UFO obsessed woman that intended to caress his penis); indeed, Brian is unable to reclaim sexuality for himself, and after having always lived in a world of his own he finds in Eric’s friendship everything he needs to break out of his shelf.

As a male prostitute, Neil finds the horror of the real in New York, and he will soon realize how dangerous his line of business can get. Back in town, Eric is preparing himself to let go of the one reality that has sustained and nurtured his psyche, but can he embrace the real if Neil tells him exactly what happened that fatidic night?  

Araki brilliantly depicts this honest, heart-wrenching and unruly story, taking advantage of the exceptional acting qualities of Joseph Gordon-Levitt (Neil), a daring and talented actor that has worked in many interesting independent films, such as Brick, The Lookout or Latter Days (a gay themed movie). This actor finds in Brady Corbet (Brian) the ideal partner; Corbet creates a subtle but fascinating character, completely different from his roles in Funny Games US or Thirteen, proving not only that he is a great actor but that he also knows how to choose the best directors to work with.

And that's why Mysterious Skin makes it into my top 100 films. I highly recommend it.

And by the way, I'm glad to see that every month my blog gets more visits. Cheers!
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Fiel a los principios de Coherencia, mi rechazo por la candidata a la presidencia prevaleció. Ni siquiera haber perdido casi dos mil dólares en la bolsa de valores de Lima logró disuadirme. Aunque, por supuesto, como decía Fernando De Szyszlo en relación al otro candidato, a ese tampoco le creo. 

Así que decidí hacer lo único sensato, o sea contribuir con las arcas fiscales. Con la multa evito la votación, y me ahorro esa sensación horrible de tener que elegir a un mal menor (y honestamente, nunca he tenido la línea Sartriana de Mario Vargas Llosa que le permite hacer justamente eso, elegir una de las dos opciones, a pesar de todo).

Las pérdidas también me han hecho ver que algunos ajustes son necesarios, al menos por ahora. Así, por ejemplo, he cancelado mis tarjetas de crédito, todas menos una. Así que adiós a tarjetas con límites de 5000 soles (como la del BBVA que siempre me sacó de apuros) y cosas por el estilo. Para bien o para mal, este domingo ha sido elegido el próximo mandatario del país.

June 1, 2011

Films (May) / Películas (mayo)

I didn’t have much time this month… So basically I only saw half a dozen films and, of course, a lot of short films. Let’s start with A Perfect Getaway (2009), a thriller with a very promising beginning but ultimately a bit of a forced ending. The Company of Wolves (1984) is a back to the basics approach on fairy tales, with a special emphasis on sexuality, rape and sexual awakening. Dorian Blues (2004) is a great comedy that follows the life of high school student Dorian and his conservative and traditional family.

The Cement Garden (1993) is a dramatic film based on Ian McEwan’s novel. Dark humor, decay and ominous moments find a most poetic expression thanks to director Andrew Birkin. For a more in depth analysis please check out my review on IMDB and, as usual, if you consider it useful vote for it here.  
 
Other films of interest were District 9 (2009), a very compelling sci-fi metaphor that should make us think of the apartheid and other discriminatory practices. El último verano de la Boyita (2009), is an interesting film from Argentina that deals with cross-dressing, transsexual characters and gender issues.

And now onto the short films: That thing we do (2003), is a Canadian production that confronts the life of a homosexual man with a young boy who is just starting to discover his own sexuality. Trevor (1994) tells the story of a young boy that doesn’t want to be labeled as gay, even though at times he displays a very effeminate behavior. Death in Venice, CA (1994) is a homage to the classic Visconti’s film (which I wrote a review on http://www.imdb.com/title/tt0067445/usercomments?start=10) although it combines also elements from Lolita.

From Ireland comes Stand up – don’t stand for homophobic bullying (2011), a short but optimistic take on a very serious problem. Follow you follow me (1979) tells the story of best friends Peter and Joseph, two boys that go to the same high school and see each other often after class… until parental pressure puts the friendship on the brink of collapse. For a more in depth analysis please check out my review on IMDB (it’ll be easy to find because it’s the only review for this short film): http://www.imdb.com/title/tt0229394/usercomments

Clu Gulager’s A Day with the Boys (1969) is a fierce exploration of childhood amorality and unbridled violence; this is a strong, original short film that remains as powerful as it was after four decades.

Pascal-Alex Vincent’s Candy Boy (2007), a French animated film tackles on environmental issues and orphan boys. Twoyoungmen, UT (2009) expresses the need for male companionship (John Cameron Mitchell and Tom Kalin appear in the credits in the “thanks to” section). Blokes (2010), from Chile, is an extraordinary story about masturbatory fantasies, sexual awakening and prying mothers. David (2005) focuses on a young mute boy as he runs into an unemployed albeit horny Mexican man. Sweat (2008) is set in a bath house, and explores briefly the protagonist’s need for adventures.

Heiko (2008) is production from Portugal that dares to take bondage and fetishism to the ultimate conclusion. Postmortem (2004) deals with old romantic flames. Braedrabylta (2007), from Iceland, depicts a cold and devastating reality, devoid of any real passion or joy, in this setting, two professional wrestlers must decide what comes first: wrestling or love. Vandalen (2008) ventures into the world of graffiti and the complicated relationship between two graffiti artists.

Love (2008), from Sweden, is centered on a college student named Love: he feels ashamed of being a virgin at 22; at the same time, Sebastian, married with a woman, feels the need to circumnavigate his heterosexual position by engaging into homosexual intercourse. Once the two of them meet, problems arise. For a more in depth analysis please check out my review on IMDB and, as usual, if you consider it useful vote for it: http://www.imdb.com/title/tt1494794/usercomments

Shakespeare’s Sonnets is a take on college and the friendship between two students. Pascal-Alex Vincent’s En Colo (2010) shares an anecdotic episode: the first kiss; although in this case it’ll be a boy on boy kiss. Pascal-Alex Vincent also directs Far West (2003), examines family dynamics as a young gay lad visits his grandfather in a rural French town. Finally, Go Go Reject is a funny comedy about dancing and body types. I also saw other short films such as Twenty-Two, Lilo Wanders, All you can eat, The Toe Heel Polka and On Earth as it is in Heaven.



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En todo mayo solamente he visto media docena de películas... y muchos cortometrajes. Así que empecemos con A Perfect Getaway (2009), producción con un inicio prometedor pero un final un tanto forzado. The Company of Wolves (1984) toma una conocida fábula infantil y la narra tal como fue escrita originalmente, haciendo especial énfasis en el despertar sexual de la protagonista y en la amenaza de violación. Dorian Blues (2004) es una ingeniosa comedia sobre la vida de un estudiante de secundaria y su conservadora y tradicional familia.

The Cement Garden (1993) de Andrew Birkin, se basa en la novela de Ian McEwan. El humor oscuro, la decadencia y los momentos ominosos son expresados poéticamente gracias al talento del director. Para un comentario más elaborado por favor revisan mi reseña en IMDB:
http://www.imdb.com/title/tt0106535/usercomments?start=10 y si pueden voten por ella.

Otras películas interesantes fueron District 9 (2009) una impactante metáfora de ciencia ficción que nos hace reflexionar sobre el apartheid y otras prácticas discriminatorias. El último verano de la Boyita (2009) es una cinta argentina que maneja temas como el travestismo, la transexualidad y los problemas de género.

Y ahora vamos con los cortometrajes: That thing we do (2003) es una producción canadiense que reúne a un homosexual adulto y a un niño que empieza a descubrir su sexualidad. Trevor (1994) narra las experiencias de un chiquillo que no quiere ser etiquetado como gay, aunque sus gestos afeminados terminan por traicionarlo. Death in Venice, CA (1994) es un homenaje a la obra clásica de Visconti (pueden leer una reseña en http://www.imdb.com/title/tt0067445/usercomments?start=10) aunque también combina elementos de Lolita.

Desde Irlanda llega Stand up – don’t stand for homophobic bullying (2011) una apuesta optimista para un serio problema actual. Follow you follow me (1979) resume la amistad entre Peter y Joseph, dos chicos de colegio que están juntos todo el tiempo hasta que sus padres deciden que no deben verse más. Pueden encontrar mi reseña en IMDB fácilmente porque es la única que ha sido escrita sobre este cortometraje: http://www.imdb.com/title/tt0229394/usercomments 
 A Day with the Boys (1969) de Clu Gulager es una feroz exploración de la amoralidad infantil y de la violencia sin límites: este original cortometraje, es tan impactante hoy como hace cuatro décadas.



Candy Boy (2007) de Pascal-Alex Vincent (animación francesa) dedica su atención a problemas ecológicos y a niños huérfanos. Twoyoungmen, UT (2009) expresa la necesidad de buscar compañía masculina (John Cameron Mitchell y Tom Kalin aparecen en los créditos). Blokes (2010), de Chile, es una extraordinaria historia sobre fantasías masturbatorias, despertar sexual y madres invasivas. David (2005) se enfoca en un chico mudo que conoce a un mexicano desempleado. Sweat (2008) explora la necesidad de aventuras del protagonista en un sauna.

Heiko (2008), cortometraje portugués, se a treve a llevar la dominación y el fetichismo hasta el extremo. Braedrabylta (2007) es una fría y devastadora mirada a la realidad de Islandia; dos luchadores profesionales deben decidir qué es más importante: la lucha libre o el amor libre. Vandalen (2008) se aventura en el mundo del graffiti y en la relación conflictiva entre dos grafiteros.

Love (2008), de Suecia, se centra en un joven estudiante universitario llamado Love, quien avergonzado de ser virgen a los 22 años aceptará pasar la noche con un hombre un tanto siniestro. Pueden leer más en IMDB y votar por mi reseña: http://www.imdb.com/title/tt1494794/usercomments


Shakespeare’s Sonnets aborda la amistad entre dos alumnos de una universidad. En Colo (2010) de Pascal-Alex Vincent presenta una anécdota sobre el primer beso, aunque aquí se trata de un beso entre dos chicos. Pascal-Alex Vincent también dirige Far West (2003), un relato sobre dinámicas familiares protagonizado por un adolescente gay que visita a su abuelo en un pueblo rural de Francia. Go Go Reject es una divertida comedia sobre baile. También vi otros cortometrajes como Twenty-Two, Lilo Wanders, All you can eat, The Toe Heel Polka y On Earth as it is in Heaven.

May 30, 2011

Other Comics by Arcadio Bolaños

My first published work appeared in July 2010. Then in February 2011 I was again part of the roster of talented up and coming writers and artists that worked together in the second volume of this independent comic anthology; in this occasion, though, I also managed to illustrate Joe Kalicki’s story. I didn’t participate in volume 3 but I was already writing my horror story for volume 4, our very own “scary comic”.
I decided to get help for this special issue, and so I found a very talented and amazing artist named Irapuan Luiz, (www.irapuanluiz.com); he was able to draw all the difficult scenes I had in mind, and I think he nailed it. Watching his work, a true act of creation of almost epic proportions, has made me feel like the proudest author on Earth. Well, I guess everyone feels like that the first time they see their script turned into art but I still feel absolutely excited about this. Honestly, I can’t wait to see our collaboration in print. 

And for those who wonder what have I been up to lately, here’s a hint: the Romance issue. I was asked to draw Cal Cleary’s story which I did way before the deadline. So I will post my first and second penciled versions, the inked version and the final version which includes some digital modifications as well as the letters. Hope you enjoy watching the whole process.
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Mi primer trabajo publicado apareció en julio de 2010. En febrero de este año salió el segundo número y también allí hubo una historia escrita y dibujada por mí, aunque también tuve tiempo para dibujar la historia de otro colaborador. Nadie podrá acusarme de acaparar la atención, porque lo cierto es que en el tercer número me mantuve al margen. No obstante, el siguiente número de esta antología de cómic independiente sale en un par de meses, y esta vez el tema es TERROR.

No podría estar más satisfecho con la historia de cuatro páginas que escribí para esta ocasión, en especial porque esta es la primera vez que trabajo en colaboración con un artista talentoso y capaz: Irapuan Luiz (www.irapuanluiz.com). Observar cómo otro artista interpretaba y dibujaba mi guión ha sido una experiencia sin igual, un verdadero acto de creación, casi mágico.

Y para los que echen de menos mis dibujos, no se preocupen. En el quinto número de la antología, centrado en temas románticos, aparecerá una historia escrita por Cal Cleary y dibujada por mí. A continuación va, entonces, la primera página en una versión preliminar a lápiz, seguida de la versión previa al paso de tinta, la versión entintada, y finalmente la versión definitiva que incluye algunos retoques digitales y las letras.

Por cierto, me olvidaba comentar que este sábado asistí a la celebración de los seis años de Coherencia (www.coherencia.pe). Me encontré con Augusto Rey, con quien colaboré para su campaña al congreso, con varios de los integrantes de Gobierno Coherente que conocí durante las fechas de campaña, y por supuesto también con integrantes de Proyecto Coherencia que acabo de conocer. Uno de los detalles que más me agradó fue ver la sección de fotos que resumía, año a año, la labor de coherencia, y encontrarme a mí mismo en una de las fotos de este año, tomada un par de semanas antes de la primera vuelta electoral.







May 28, 2011

April comic books / Cómics de abril

It's comic book time! April comics, that is. And here they are (along with one of my drawings) as per solicitations:
ALAN MOORE THE COURTYARD GN COLOR PTG  (MR)
(W) Alan Moore, Antony Johnston (A) Jacen Burrows Alan Moore, teams up with brilliant artist Jacen Burrows, to unleash this timeless tale of Lovecraftian psychological horror. Aldo Sax has an amazing service record with the FBI. His legendary skills at piercing together the most baffling of cases has gotten him assigned to what may be his most confusing case yet. Several murders from the most unlikely of suspects just don't add up. And what few leads there are, all point to The Courtyard. This special color edition features an introduction by Garth Ennis.


AVENGERS CHILDREN'S CRUSADE #5 (OF 9)
Written by ALLAN HEINBERG Pencils & Cover by JIM CHEUNG THE SCARLET WITCH WAR IS ON!  Latveria becomes a battle-ground as Magneto battles Doctor Doom -- and the Young Avengers take on the Avengers -- to determine the ultimate fate of the Scarlet Witch.  But the mysterious reappearance of the time-traveling Iron Lad unleashes Wanda's reality-altering powers upon the timestream itself, changing the game, and the Marvel Universe, forever. 32 PGS./Rated T+


BOYS #44 (MR)
(W) Garth Ennis (A/C) Darick Robertson BELIEVE: Part 1 (of 4)-As the greatest religious festival on the superhero calendar gets under way in New York, the Homelander finds himself front and centre, very much against his will. But so does Annie, whose heightened public profile leads her to get something terrible off her chest. Meanwhile, Butcher ponders what to do about 'the Hughie situation', and MM makes his own feelings known... just when everything was going so well...

DARK HORSE PRESENTS #1 PAUL CHADWICK CVR 
Frank Miller (W/A/Variant Cover), Harlan Ellison (W), Howard Chaykin (W/A), Neal Adams (W/A), Richard Corben (W/A), Carla Speed McNeil (W/A), Michael T. Gilbert (W/A), Randy Stradley (W), Paul Chadwick (W/A), David Chelsea (W/), Patrick Alexander (W/A), and others The legendary, premiere anthology is back! The 80-page spectacular, Dark Horse Presents returns with all-new stories by Neal Adams, Howard Chaykin, and Richard Corben; a new Concrete story by Paul Chadwick, a new Crimson Empire story from the Star Wars universe, and an exclusive sneak peek of Frank Miller's highly-anticipated prequel to 300, Xerxes! The celebration continues with a brand-new, all-color Finder story by Carla Speed McNeil, a prose piece from science fiction legend Harlan Ellison, the return of Michael T. Gilbert's Mr. Monster, and much, much more!


ECHOES #4 (OF 5) (O/A) (MR)
(W) Joshua Hale Fialkov (A) Rahsan Ekedal (Cov) Rahsan Ekedal  A Tale of Suspense and Psychological Horror! Brian Cohn is living a nightmare. His recently deceased father, who Brian shares the disease of schizophrenia with, confessed to being a serial killer of little girls on his death bed. Now Brian is racing to solve the mystery of a missing child in his town, all the while feeling his condition taking a deeper and deeper grip on his psyche and his mind beginning to unravel.  From acclaimed author Joshua Hale Fialkov (Tumor, Pilot Season: Alibi) and rising star artist Rahsan Ekedal (Creepy) a disturbing story of murder and mystery wrapped in questions of sanity.  'This is an absolute buy.  I can't recommend it enough.' - Graphic Policy


ECHOES #5 (OF 5) (O/A) (MR)
(W) Joshua Hale Fialkov (A) Rahsan Ekedal (Cov) Rahsan Ekedal A Tale of Suspense and Psychological Horror! Brian Cohn has reached his breaking point. He has also figured out who is following in his father's footsteps. Unfortunately, the stress of dealing with his father's legacy has taken its toll and Brian worries it may too late.  From acclaimed author Joshua Hale Fialkov (Tumor, Pilot Season: Alibi) and rising star artist Rahsan Ekedal (Creepy) a disturbing story of murder and mystery wrapped in questions of sanity.


FEAR ITSELF #1 (OF 7)
Written by MATT FRACTION Pencils & Cover by STUART IMMONEN Variant Covers by STEVE McNIVEN & STUART IMMONEN Fantastic Four Anniversary Variant by PAOLO RIVERA Blank Variant Cover Also Available DO YOU FEAR...TOMORROW? In this time of global anxiety, of economic turmoil and mass hysteria, Sin, the new Red Skull, has made an awesome discovery...a shameful secret that will rock the foundations of the Marvel Universe! A revelation that will divide father and son, turn friend against friend, and herald the rise of Fear personified. HE IS RETURNING...and the world has nothing to fear but FEAR ITSELF. Matt Fraction and Stuart Immonen bring fans the biggest Marvel the biggest Marvel event since CIVIL WAR! 56 PGS./Rated T+


GREEN WAKE #1 (OF 5) (MR)
A riveting tale of loss and horror. In the forgotten town of Green Wake, a string of grisly mutilations leads Morley Mack on the trail of a young woman named Ariel, who is the prime suspect. But when a stranger with startling connections to Ariel arrives under mysterious circumstances, Morley unravels a dark plot with a shocking link to his past.


HACK SLASH #3 CVR B TARTAMELLA (MR)
The members of Hack/Slash, Inc., are left to defend Eminence, Indiana, against an onslaught of animal zombies without Cassie and Vlad! Cat Curio, Samhain, and Pooch will have to team with murderous traitor Sheriff Maggie in a brutal battle guaranteed to send undead fur flying!


MIGHTY THOR #1
Written by MATT FRACTION Pencils & Cover by OLIVIER COIPEL Variant Cover by TRAVIS CHAREST Variant Cover by WALT SIMONSON Blank Variant Cover also available Thor Movie Variant also available It's a shining, golden, new age for the Thunder God and Matt Fraction and Olivier Coipel are back to lead the charge! Thor and Sif dive deep into the heart of the fractured World Tree to reclaim an artifact from beyond time and space, an artifact that attracts the attention of the Silver Surfer. And when a herald such as he arrives on Earth, the arrival of his master is certain to follow. Prepare for the return of the World Eater…prepare for the return of Galactus! Fans can't miss an all new behind the scenes look at the highly anticipated major motion picture with a sneak peek at some of the art! 32 PGS./Rated T+


MORNING GLORIES #9
Since the detention issue, readers have been asking: What happened to Jun that fateful night he sneaked out of the dorms? And who was that he ran into? The answer to these questions and more in this action-packed, reveal-heavy chapter!


RED SONJA #53
(W) Eric Trautman (A) Walter Geovani (C) Paul Renaud (50%), Geovani (50%) Acclaimed writer, Eric (Action Comics) Trautmann takes over Red Sonja as she goes on another magical adventure. This is a great entry point for everyone's favorite She-Devil With a Sword! Don't miss out on another epic adventure!


SUPER DINOSAUR #1
ALL-NEW FROM ROBERT KIRKMAN & JASON HOWARD! This is where it begins! The Evil Max Maximus wants to get to Inner-Earth! He wants the dinosaurs that live there! He wants the powerful DynOre mineral that originates there! SUPER DINOSAUR and DEREK DYNAMO are the only ones who can stop him! The fate of the world rests on the shoulders of a ten year-old kid and his best friend, a nine-foot tall Tyrannosaurus Rex who loves to play video games.


ULTIMATE FANTASTIC FOUR MGC #1
Written by BRIAN MICHAEL BENDIS & MARK MILLAR Penciled by ADAM KUBERT Cover by BRYAN HITCH The Ultimate Universe at long last gets the fourth corner of its foundation as the World's Greatest Comic Magazine finally makes its long-awaited Ultimate debut! Witness the birth of The Four - Reed Richards, Johnny Storm, Susan Storm & Ben Grimm - superhero icons for the new century! High school genius Reed Richards invites his friends to join him on the journey of a lifetime - and the Ultimate Universe will never be the same! It's a series about science, high adventure and above all else FAMILY, set in the most dynamic and unpredictable Universe in the comic book world! 32 PGS./ALL AGES


WALKING DEAD #83 (MR)
'NO WAY OUT' continues. What is left but surrender?


WALKING DEAD #84 (MR)
NO WAY OUT concludes.  Could this be the end?

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Y aquí están todos mis cómics correspondientes al mes de abril (más un dibujo mío):

ALAN MOORE THE COURTYARD GN COLOR PTG (MR)
Una serie de misteriosos asesinatos aparentemente desconectados llamarán la atención del más brillante y eficaz detective del FBI.


AVENGERS CHILDRENS CRUSADE #5 (OF 9)
Los Vengadores versus los Jóvenes Vengadores. ¿Cuál será el destino de la Bruja Escarlata? ¿Y cuál será el papel de IRON LAD?


BOYS #44 (MR) 
Es el más grande festival religioso del calendario súper-heroico.


DARK HORSE PRESENTS #1 PAUL CHADWICK CVR
Antología con algunos de los más influyentes autores del cómic USA.


ECHOES #4 (OF 5) (O/A) (MR)
Brian intenta solucionar el misterio de una niña desparecida. Pero, mientras su condición esquizofrénica empeora se preguntará si él mismo es el asesino.


ECHOES #5 (OF 5) (O/A) (MR)
Concluye esta historia de suspenso y terror psicológico.


FEAR ITSELF #1 (OF 7)
En una época de ansiedad globalizada, inestabilidad económica e histeria en masa, el nuevo Cráneo Rojo ha descubierto cómo vencer a todos los súper-héroes. Todos aprenderán a temerle al mismo miedo.


GREEN WAKE #1 (OF 5) (MR)
El horror y la pérdida llegan a un pueblito olvidado. Una mujer es acusada de causar extrañas mutilaciones hasta que un extraño llega al pueblo.


HACK SLASH #3 CVR B TARTAMELLA (MR)
Indiana está bajo el ataque de animales zombis.


MIGHTY THOR #1
Es un nuevo comienzo para el hijo de Odín. Thor buscará un artefacto que se encuentra más allá del espacio y del tiempo, pero en su búsqueda chocará con SILVER SURFER. ¿Regresará GALACTUS a la Tierra?


MORNING GLORIES #9
¿Qué sucedió la noche en que June se escapó de los dormitorios? ¿Y con quién se encontró? Todas las respuestas están aquí.


RED SONJA #53 
Una nueva aventura traerá sorpresas inesperadas.


SUPER DINOSAUR #1
El malvado Máximo quiere los dinosaurios de la Tierra. El destino de la Tierra descansa en los hombros de un niño de 10 años y un tiranosaurio.


ULTIMATE FANTASTIC FOUR MGC #1
El súper genio de la secundaria invita a sus amigos al viaje del siglo. ¡Y todo en el universo cambiará para siempre!


WALKING DEAD #83 (MR)
“Sin salida” continúa. ¿La única alternativa es rendirse?


WALKING DEAD #84 (MR)
“Sin salida” concluye. ¿Podría esto ser el fin?


May 26, 2011

El tesoro de la juventud

It happens all the time. People go to see Spider-Man or X-Men and then forget all about it. I guess they don’t care enough. But not this time, as soon as The Walking Dead aired here on Peru (and only a day after the original release date) people started caring about it. All of a sudden, a lot of my friends were asking me if it was based on a comic book and if I was collecting it.


I felt then as ashamed as I feel now to confess this: I wasn’t following it. Growing up reading mostly European comics I have learned to love the black and white… as long as it’s a comic from France or Spain. I’ve always thought that b&w looks artificial on American comics. And that alone (I know, it’s such a poor excuse) prevented me from getting TWD.


Not anymore. As soon as I watched the first episode of the series I ordered the first trade, and after reading that I added TWD to my DCBS pull list. And believe me, I’ve had quite a ride. I had heard fans talking on message boards, saying that no one is safe in TWD, but I never suspected the true length of this affirmation. Rick’s son getting shot in the eye has got to be one of the most intense and powerful moments I’ve read in a long time. But not only that, “No Way Out” has been a terrific arc for many reasons, chief among them Kirkman’s ability to surprise and shock the audience. 


Oh yes, and now I’m also buying Super Dinosaur. Damn you Kirkman, my budget will become unbalanced once I start picking up Invincible’s trades.
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Y, para terminar con la muestra El tesoro de la juventud, actualmente en exhibición en el Centro Cultural de España, adjunto algunas obras más que me llamaron la atención, entre ellas una ilustración magnífica de Sheila Alvarado. El día de hoy se realiza la última charla sobre Oswald Reynoso en el CCE, y el 28 cierra la muestra. También incluyo un link para que puedan ver el video de Diego Lama http://www.youtube.com/watch?v=BgrxalqGGH4


Hoy en la tarde mi hermano estará en la plaza Dos de Mayo, en la manifestación en contra de la candidata de Fuerza 2011. Estas elecciones presidenciales han sido realmente desalentadoras, pasaron a segunda vuelta las dos peores opciones, y aunque mucho presuman de tener una actitud pragmática que los orientaría en una u otra dirección, tal vez lo más sensato sea contribuir con las arcas fiscales, es decir, pagar la multa para no ir a votar. El papel de El Comercio en estos meses ha sido un tanto deslucido; nadie duda de la veracidad y confiabilidad del periódico más importante del país, pero así como Julio César demandaba que “la mujer del César no sólo debe ser honesta sino parecerlo”, creo que la neutralidad e imparcialidad de la prensa se ha diluido en estas semanas. No pienso descontinuar mi suscripción al Comercio, pero además de ser veraz también debe parecerlo, o de lo contrario terminaría empujando a personas que se abstienen de votar a apoyar precisamente al candidato que el diario no favorece. 


Finalmente invito a los que se animen a entrar a www.grayhavencomics.com para que pueden seguir los webcomics semanales. Pronto haré algunos anuncios sobre mis futuras colaboraciones para The Gathering, así que estén atentos y siéntanse con total libertad de dejarme preguntas o comentarios.
Dibujos de mi cuaderno